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{
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{
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"i18n": "Is verwezen door"
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{
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"i18n": "Is vervangen door"
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{
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"i18n": "Verwijst naar"
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"i18n": "Vervangt"
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{
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"i18n": "Vereist"
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{
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{
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{
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{
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"i18n": "Land"
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{
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{
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{
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{
"name": "europeana_hasMet",
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{
"name": "europeana_hasView",
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{
"name": "europeana_isRelatedTo",
"i18n": "Heeft relatie met"
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{
"name": "europeana_isRepresentationOf",
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{
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"name": "europeana_language",
"i18n": "Taal"
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{
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{
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{
"name": "europeana_rights",
"i18n": "Rechten"
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{
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{
"name": "europeana_type",
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"value": "Naam architect gebouw: F.M. Kramer en Den Heijer",
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"value": "Het enige stadswapen van Haarlem dat uitgevoerd is in baksteenreliëf, is sinds 1963 aanwezig in Haarlem, in het muurmozaïek van Levinus Tollenaar, als sluitstuk aan de buitenmuur van de broodbakkerij van Vermaat, later gefuseerd met Carels broodbakkerijen in Haarlem-noord. Aan de westzijde grenzend aan het park dat naar Nelson Mandela genoemd is.",
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"raw": "Het enige stadswapen van Haarlem dat uitgevoerd is in baksteenreliëf, is sinds 1963 aanwezig in Haarlem, in het muurmozaïek van Levinus Tollenaar, als sluitstuk aan de buitenmuur van de broodbakkerij van Vermaat, later gefuseerd met Carels broodbakkerije"
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"value": "Abstract reliëf: vertelt het verhaal van de bakker en zijn brood. Het laat zich van links naar rechts lezen als een stripverhaal. Het begint bij de natuur. Vogels, regen, zon en wuivend graan. Dan de molen die het graan maalt, het vuur van de oven dat het brood bakt, daarna het resultaat: brood en banket. Om de hoek, in het Nelson Mandelapark, gaat het broodverhaal verder. Een haan (symbool voor het vroege bakkersuur) op een posthoorn, en daarnaast, in prachtige natuurlijke kleuren, het wapen van Haarlem.",
"@type": "Literal",
"raw": "Abstract reliëf: vertelt het verhaal van de bakker en zijn brood. Het laat zich van links naar rechts lezen als een stripverhaal. Het begint bij de natuur. Vogels, regen, zon en wuivend graan. Dan de molen die het graan maalt, het vuur van de oven dat het"
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"value": "Speciaal geselecteerd werden afgekeurde, gesinterde en kromgetrokken bakstenen. Gesmolten glasverkleuringen zijn toegepast in ovenvlammen, zon en de graanmolen",
"@type": "Literal",
"raw": "Speciaal geselecteerd werden afgekeurde, gesinterde en kromgetrokken bakstenen. Gesmolten glasverkleuringen zijn toegepast in ovenvlammen, zon en de graanmolen"
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"value": "De stenen zijn in de loop der jaren zwaar vervuild geraakt en het geheel biedt een verweerde, bijna sombere aanblik. De familie Vermaat heeft destijds de opdracht gegeven voor het kunstwerk, maar de voormalige bakkerij van Vermaat werd gesloopt en maakte plaats voor nieuwbouw van Kamps Quality Bakers. Een klein wonder eigenlijk, dat de 'stripmuur' bewaard is gebleven. Het is eigenlijk aan Kamps Quality Bakers te danken dat het reliëf nog bestaat. Het bedrijf koesterde het kunstwerk en heeft het diverse keren schoon laten maken, maar doordat het op het noorden ligt aan een grasveld met loofbomen, vervuilt de gevel snel. Hoog tijd dat de muur de monumentenstatus krijgt, voordat het te laat is. Opmerkelijk dat er nooit graffiti op kwam, ondanks de toegankelijkheid met gazons erlangs.",
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